{"id":1921,"date":"2023-04-05T15:21:42","date_gmt":"2023-04-05T13:21:42","guid":{"rendered":"https:\/\/ninomustica.holodemo.it\/?page_id=1921"},"modified":"2025-06-18T08:08:10","modified_gmt":"2025-06-18T06:08:10","slug":"cronologia-artista","status":"publish","type":"page","link":"https:\/\/www.archivioninomustica.com\/en\/cronologia-artista\/","title":{"rendered":"Cronologia Artista"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-cronologia.php","meta":{"footnotes":""},"class_list":["post-1921","page","type-page","status-publish","hentry"],"meta_box":{"slider":[],"title":"","description":"NINO MUSTICA (1946, Adrano \u2013 2018, Milano)<\/strong>, was an Italian painter and sculptor known for his innovative approach to transposing painting into architectural forms. Mustica has taught at the Art Institute of Catania, the Brera Academy of Fine Arts in Milan, the University of Fine Arts in Budapest and the Polytechnic University of Milan.","link_button":"","other_posts":[],"main_sections":[],"highlighed":["1330"],"main_content":{"0":{"type":"banner","description":"NINO MUSTICA (1946, Adrano \u2013 2018, Milan)\u2028<\/strong>\r\n\r\nHe was an Italian painter and sculptor known for the transposition of painting into architectural forms.\u2028<\/strong>\r\n\r\nMustica taught at the Art Institute of Catania, the Brera Academy of Fine Arts in Milan, the University of Fine Arts in Budapest and the Polytechnic University of Milan.\r\n\r\nHis works have been exhibited in Italy and abroad: 9th Street Gallery, New York (1981), Hete A.M. H\u00fcnermann Gallery, D\u00fcsseldorf (1990), Municipal Gallery of Modern Art, Bologna (1990); Museum of Modern Art, Buenos Aires (1994), Art Basel (1997), Gibellina and Budapest (1999), Fondazione Bevilacqua La Masa, Venice (2000), Beijing International Art Biennial (2005), Architecture Biennial, Arsenale, Venice (2010) and Galleria d'arte Moderna, Genoa (2013).\r\n\r\nHis works are permanently represented in the following public collections: Academy of Fine Arts in Budapest; Museum of Contemporary Art in Buenos Aires; Jos\u00e9 Luis Cuevas Museum in Mexico City; Dresdner Bank in D\u00fcsseldorf; Boca Raton Museum in Boca Raton; Hypo Bank in Frankfurt; Galleria Comunale d'Arte Moderna in Gallarate; Casabianca Museum in Milan; Milan, Comit; Moscow, Krymsky Val; Lisbon, Museu Calouste Gulbenkian; Portofino, Museo del Parco di Portofino, Centro Internazionale di Scultura all'Aperto; Rijeka, Muzej Grada Rijeka; Zagreb, Museo di Arte Moderna MGC Prostor.\r\n\r\n\u2018For me, starting over from any point in my history is very fascinating. I don't like repeating myself, I think that repeating a formula is an exhaustion of the pictorial vein. If I were to repeat myself tomorrow, I hope to stop painting, it wouldn't make sense anymore. For me, art is an existential expression.\r\nNino Mustica (2000)<\/em>","page":["1970"]},"1":{"type":"banner","title":"2018-2011","period":"Biografia selezionata","description":"Solo exhibitions<\/strong>\r\n2017<\/strong>\r\n111 Espressioni<\/em>, Galerija Radio-televizije Srbije, Beograd.\r\n2014<\/strong>\r\nLe origini della pittura di Nino Mustica, MACN - Museo d\u2019Arte Contemporanea e del Novecento<\/em>, Monsummano Terme.\r\nNino Mustica, Gallery Jeon<\/em>, Daegu (Korea).\r\n2013<\/strong>\r\nSimbiosi, Galleria d\u2019Arte Moderna, Genova.\r\n2012<\/strong>\r\nSparkle<\/em>, Galleria Bianca Maria Rizzi e Matthias Ritter, Milano.\r\n2011<\/strong>\r\nSparkle<\/em>, Triennale di Milano, Spazio Material ConneXion, Milano.\r\nEvoluzioni pittoriche<\/em>, Castello Visconteo Mediceo, Melegnano.\r\n\r\nParticipations<\/strong>\r\n2015<\/strong>\r\nBiennale Cina-Italia, Beijing\r\n\r\nInstallations<\/strong>\r\n2015<\/strong>\r\nThe Catch<\/em>, scultura per la Coppa del Mondo di Rugby 2015, collaborazione tra Nino Mustica e Gerry McGovern (Design Director Land Rover), Twickenham Stadium, England - Millennium Stadium, Wales.\r\n2014<\/strong>\r\nUnstoppable Spirit<\/em>, collaborazione tra Nino Mustica e Gerry McGovern, Fuorisalone, Piazza Gae Aulenti, Milano\r\nUnstoppable Spirit<\/em>, collaborazione tra Nino Mustica e Gerry McGovern, Royal Festival Hall, Southbank Center, London.\r\n\r\nOther works<\/strong>\r\n2017<\/strong>\r\nMorphologies<\/em>, Collezione di quattro tappeti per Artep, Verona.\r\n2011<\/strong>\r\nPoster per Selected Artworks, Milano.","page":["1707"]},"3":{"type":"banner","title":"2010-2006","description":"Solo exhibitions<\/strong>\r\n2010<\/strong>\r\nPittura solida - Steel<\/em>, Piazza del Duomo - Chiesa di Sant\u2019Agostino, Pietrasanta.\r\n2009<\/strong>\r\nPittura solida<\/em>, Museo Nacional de Artes Decorativas, La Habana.\r\n2008<\/strong>\r\nNovalis Contemporary Art, Torino.\r\nConcept<\/em>, Stefano Civati Art Consulting, Milano.\r\nMustica Tower<\/em>, Leda Fletcher Gallery, Gen\u00e8ve.\r\nXXIII Congresso Internazionale UIA<\/em>, Unione Internazionale degli Architetti, Lingotto, Torino.\r\n2007<\/strong>\r\nGalleria Memoli, Matera.\r\n11 Totems<\/em>, Gaya Art Space, Ubud, Bali (Indonesia).\r\n2006<\/strong>\r\nEra Eros<\/em>, Villa Rufolo, Ravello.\r\nBury Art Gallery & Museum, Bury, Manchester.\r\n\r\nParticipations<\/strong>\r\n2010<\/strong>\r\nCulture-Nature - 12. Biennale di Architettura<\/em>, Spazio Thetis, Arsenale, Venezia.\r\n2009<\/strong>\r\nStar-T. L\u2019arte sotto le stelle<\/em>, Galleria Umberto I, Torino.\r\n\r\nInstallations<\/strong>\r\n2006<\/strong>\r\nPictorial Evolutions, Infinite Paintings<\/em>, Fiera, Rimini.","page":["1945"]},"5":{"type":"banner","title":"2005-2000","description":"Solo exhibitions<\/strong>\r\n2004<\/strong>\r\nGalleria Artecontemporanea, Catania.\r\nArte Contemporanea Memoli, Busto Arsizio.\r\n2003<\/strong>\r\nLeda Fletcher Gallery, Gen\u00e8ve.\r\n2002<\/strong>\r\nGalerie der Stadt, Waiblingen.\r\nMEO - Kort\u00e0rs Muv\u00e9szeti Gyujtem\u00e9ny, Budapest.\r\nMuzej Grada Novog Sada, Novi Sad.\r\n2001<\/strong>\r\nMairie du V Arrondissement, Paris.\r\nGary Nader Fine Arts, Miami.\r\nFine Art University, Budapest.\r\nNew Art Gallery Dante Vecchiato, Padova.\r\n2000<\/strong>\r\nOmaggio a Nino Mustica<\/em>, Art Miami 2000, Miami.\r\nConcezioni pittoriche luminose<\/em>, Expo Hannover, Zumtobel, Berlin.\r\nFondazione Bevilacqua La Masa, Venezia.\r\n\r\nParticipations<\/strong>\r\n2005<\/strong>\r\nOpen 2005.<\/em> 8th International Exhibition of Sculptures and Installations, Venezia.\r\n2nd Beijing International Art Biennale, Beijing.","page":["924"]},"7":{"type":"banner","title":"1999-1944","description":"Solo exhibitions<\/strong>\r\n1999<\/strong>\r\nMuseo Civico d\u2019Arte Contemporanea, Gibellina.\r\nWAM Gallery, Budapest.\r\n1998<\/strong>\r\nMuzej Grada, Rijeka.\r\nUmjetnicka Galerija, Dubrovnik.\r\nMuseum of Contemporary Art, Trogir (Croatia).\r\n1997<\/strong>\r\nMuseo Casabianca, Malo.\r\nGalerie Schloss Mochental, Ehingen\/Donau.\r\n1996<\/strong>\r\nSimone Art Gallery, Bratislava.\r\nMuseo Jos\u00e9 Lu\u00eds Cuevas, Ciudad de M\u00e9xico.\r\n1995<\/strong>\r\nPalazzo Ducale, Sabbioneta.\r\nModern Art Museum MGC Prostor, Zagreb.\r\nContemporary Art Pavilion Juraj Sporer, Opatija (Croatia).\r\nStudio Carlo Grossetti, Milano.\r\n1994<\/strong>\r\nGalleria La Seggiola, Salerno.\r\nMuseo de Arte Moderno, Buenos Aires.\r\nChiesa del Carmine, Taormina.\r\nConsolato Argentino, Milano.\r\n\r\nParticipations<\/strong>\r\n1999<\/strong>\r\nImmagine Italia<\/em>, WAM Gallery, Budapest.\r\n1997<\/strong>\r\nNoi non abbiamo paura del Blu<\/em>, Galleria Blu, Milano.\r\nThe International Art Fair<\/em>, Galleria Blu, Basel.\r\n\r\nInstallations<\/strong>\r\n1999<\/strong>\r\nForma pittorica tridimensionale<\/em>, Museo Civico, Gibellina.\r\n1997<\/strong>\r\nForme pittoriche tridimensionali<\/em>, Installazione sul mare di Linosa, Isola di Linosa.","page":["914"]},"9":{"type":"banner","title":"1993-1990","description":"Solo exhibitions<\/strong>\r\n1993<\/strong>\r\nGalleria San Luca, Bologna.\r\nLinea Arte Contemporanea, Firenze.\r\nGalleria Priuli agli Scalzi, Venezia.\r\nCastello di Sartirana, Pavia.\r\nGaler\u00eda Thema, Buenos Aires.\r\nArt Gallery Zaalberg, Delft.\r\n1992<\/strong>\r\nMuseum of Fine Arts, La Valletta.\r\nGli insegnamenti del colore<\/em>, Galleria Osti 4, Milano.\r\nKrimsky Val, Moskva.\r\n1991<\/strong>\r\nGalleria Jaccarino, Padova.\r\n1990<\/strong>\r\nGalleria Hete A.M. H\u00fcnermann, D\u00fcsseldorf.\r\nNational Museum of Archaeology, La Valletta.\r\nGalleria Art Club, Catania.\r\n\r\nParticipations<\/strong>\r\n1992<\/strong>\r\nNew Geographics of Italian Abstraction<\/em>, Krimsky Val, Moskva.\r\n1990<\/strong>\r\nGalleria Comunale d\u2019Arte Moderna, Bologna.\r\n\r\nOther works<\/strong>\r\n1992-1993<\/strong>\r\nProgetti per arazzi e tappeti editi da Marco Contini, Milano.\r\n1991<\/strong>\r\nPoster e francobolli per Immaginario mediterraneo<\/em>, Siracusa.\r\n1990<\/strong>\r\nCopertina del disco Jackie Stewart<\/em> per Vox Pop Records.","page":["880"]},"11":{"type":"banner","title":"1989-1980","description":"Solo exhibitions<\/strong>\r\n1989<\/strong>\r\nGalleria Studio 15, Milano.\r\n1987<\/strong>\r\nGalleria Jaccarino, Padova.\r\n1986<\/strong>\r\nDresdner Bank, D\u00fcsseldorf.\r\nGalleria d\u2019Arte Moderna, Valverde, Pavia.\r\nGalleria Lu Austoni, Milano.\r\nGalleria Il Sale, Catania.\r\n1984<\/strong>\r\nKunstgalerie Cecilienallee, D\u00fcsseldorf.\r\n1981<\/strong>\r\n9th Street Gallery, New York.\r\n1980<\/strong>\r\nGalleria Le Arti, Catania.\r\n1990<\/strong>\r\nGalleria Comunale d\u2019Arte Moderna, Bologna.\r\n\r\nParticipations<\/strong>\r\n1986<\/strong>\r\nAutori in cattedra<\/em>, Istituto Statale d\u2019Arte, Catania.\r\n1982<\/strong>\r\nZebra One Gallery, London.\r\n\r\nInstallazioni<\/strong>\r\n1988<\/strong>\r\nPitture scenografiche, Museu Calouste Gulbenkian, Lisboa (itinerante a Oporto, Cairo, Cannes).\r\n1987<\/strong>\r\nInstallazione pittorica<\/em>, Hypo-Bank, Frankfurt.\r\n1986<\/strong>\r\nPitture murali<\/em>, Dresdner Bank, D\u00fcsseldorf.\r\n1984<\/strong>\r\nCwmni Dawns<\/em>, videoscenografia, Jumper Dance Company, Cardiff.\r\n1982<\/strong>Installazioni pittoriche<\/em>, Parco delle Terme, Acireale.\r\n\r\nOther works<\/strong>\r\n1989-2000<\/strong>\r\nManifesti per LEM Edizioni, Milano, exhibited at: Expo Art, New York; Macef, Milano; Cart\u201989, Milano; Saca, Bologna; Frankfurter Buchmesse, Frankfurt am Main; MilanoPoesia, Milano; International Spring Fair, Birmingham.\r\n1987<\/strong>\r\nRealizzazione di due francobolli per la campagna Polioplus<\/em>, Rotary International.","page":["1636"]},"13":{"type":"banner","period":"Formazione","description":"He studied at the Academy of Fine Arts in Rome, and before that at the Art Institute in Catania, where, at the age of twenty, he was appointed professor of Life Drawing and Visual Education.\r\n\r\nHe taught at the Istituto Statale d'Arte in Catania, at the Brera Academy of Fine Arts in Milan, at the University of Fine Arts in Budapest and at the Polytechnic University of Milan.\r\n\r\nIn the early seventies, he spent time in London and Copenhagen, and in the early eighties, he moved to New York. He left Sicily for good in 1986 and moved to Milan.","page":["798"]},"15":{"type":"banner","period":"Soggetti","description":"The artist's research is primarily oriented towards the exploration of the potential for shaping colour through the process of formulating paint\r\n\r\nHis research is primarily oriented towards the exploration of the potential for shaping colour through the process of formulating paint. In 1994, he transformed colour and emotion into forms on the canvas using computer graphics and 3D modelling. This pioneering technique allowed him to rework his own paintings, creating abstract three-dimensional forms<\/em>. This process is still unique and personal to him.\r\nMustica's abstract and weightless three-dimensional pictorial forms<\/em> have been translated and scaled up to architecture.\r\n\r\nHis discourse is transversal: music becomes chromatic abstraction, painting becomes three-dimensional pictorial form<\/em> and the latter becomes architecture."},"18":{"type":"banner","period":"Tecniche","description":"The preferred techniques and materials for the paintings are oil paint, enamel, acrylic, Duco, resin, pigment and graphite on canvas.\r\n\r\nThe three-dimensional pictorial<\/em> forms are made of fibreglass.\r\n\r\nIn the graphic works, the techniques used are silkscreen, engraving, linocut, etching and printing on paper."},"2":{"type":"slider","page":["1713","2028","1099","1962"]},"4":{"type":"slider","page":["2032","1709","1550","2033"]},"6":{"type":"slider","page":["1956","1686","667","979"]},"8":{"type":"slider","page":["1332","922","2036","1645"]},"10":{"type":"slider","page":["1959","872","2039","1330"]},"12":{"type":"slider","page":["2046","839","845","831"]},"14":{"type":"slider","page":["797","795","794","819"]},"16":{"type":"slider","page":["1318","1364","335","1175"]},"17":{"type":"slider"},"19":{"type":"slider","page":["1326","2640","2635","1501"]}}},"_links":{"self":[{"href":"https:\/\/www.archivioninomustica.com\/en\/wp-json\/wp\/v2\/pages\/1921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.archivioninomustica.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.archivioninomustica.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.archivioninomustica.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.archivioninomustica.com\/en\/wp-json\/wp\/v2\/comments?post=1921"}],"version-history":[{"count":113,"href":"https:\/\/www.archivioninomustica.com\/en\/wp-json\/wp\/v2\/pages\/1921\/revisions"}],"predecessor-version":[{"id":17431,"href":"https:\/\/www.archivioninomustica.com\/en\/wp-json\/wp\/v2\/pages\/1921\/revisions\/17431"}],"wp:attachment":[{"href":"https:\/\/www.archivioninomustica.com\/en\/wp-json\/wp\/v2\/media?parent=1921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}